{"id":1651,"date":"2024-03-26T13:00:12","date_gmt":"2024-03-26T12:00:12","guid":{"rendered":"https:\/\/revue.ensb.dz\/?post_type=article&#038;p=1651"},"modified":"2024-03-26T13:00:12","modified_gmt":"2024-03-26T12:00:12","slug":"lenfance-comme-point-de-depart-du-questionnement-identitaire-dans-nulle-part-dans-la-maison-de-mon-pere-de-assiadjebar-une-fille-sans-histoire-de-tassadit-imache-et-pierre-sang-papier-ou-ce","status":"publish","type":"article","link":"https:\/\/revue.ensb.dz\/ar\/article\/lenfance-comme-point-de-depart-du-questionnement-identitaire-dans-nulle-part-dans-la-maison-de-mon-pere-de-assiadjebar-une-fille-sans-histoire-de-tassadit-imache-et-pierre-sang-papier-ou-ce\/","title":{"rendered":"L\u2019enfance comme point de d\u00e9part du questionnement identitaire dans Nulle part  dans la maison de mon p\u00e8re de AssiaDjebar, Une fille sans histoire de Tassadit Imache et Pierre Sang Papier ou Cendre de Maissa Bey"},"featured_media":0,"template":"","mot-cle":[268,82,833,832,831],"auteur":[834],"_links":{"self":[{"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/article\/1651"}],"collection":[{"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":1,"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/article\/1651\/revisions"}],"predecessor-version":[{"id":1653,"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/article\/1651\/revisions\/1653"}],"wp:attachment":[{"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/media?parent=1651"}],"wp:term":[{"taxonomy":"mot-cle","embeddable":true,"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/mot-cle?post=1651"},{"taxonomy":"auteur","embeddable":true,"href":"https:\/\/revue.ensb.dz\/ar\/wp-json\/wp\/v2\/auteur?post=1651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}