{"id":1619,"date":"2024-03-26T11:59:50","date_gmt":"2024-03-26T10:59:50","guid":{"rendered":"https:\/\/revue.ensb.dz\/?post_type=article&p=1619"},"modified":"2024-03-26T11:59:50","modified_gmt":"2024-03-26T10:59:50","slug":"mise-en-mots-du-kamikaze-dans-le-discours-romanesque-khalil-de-yasmina-khadra-quel-est-le-role-de-linterdiscours-dans-la-construction-de-la-representation-discursive-du-terroriste","status":"publish","type":"article","link":"https:\/\/revue.ensb.dz\/en\/article\/mise-en-mots-du-kamikaze-dans-le-discours-romanesque-khalil-de-yasmina-khadra-quel-est-le-role-de-linterdiscours-dans-la-construction-de-la-representation-discursive-du-terroriste\/","title":{"rendered":"Mise en mots du kamikaze dans le discours romanesque Khalil de Yasmina Khadra :  quel est le r\u00f4le de l\u2019interdiscours dans la construction de la repr\u00e9sentation discursive du \u00ab terroriste \u00bb ?"},"featured_media":0,"template":"","mot-cle":[810,809,808,811,812],"auteur":[813],"_links":{"self":[{"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/article\/1619"}],"collection":[{"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":1,"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/article\/1619\/revisions"}],"predecessor-version":[{"id":1621,"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/article\/1619\/revisions\/1621"}],"wp:attachment":[{"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/media?parent=1619"}],"wp:term":[{"taxonomy":"mot-cle","embeddable":true,"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/mot-cle?post=1619"},{"taxonomy":"auteur","embeddable":true,"href":"https:\/\/revue.ensb.dz\/en\/wp-json\/wp\/v2\/auteur?post=1619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}